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Academic Year 2002/2003
Pulp Fiction, Italian Style
ITAL 248 SP
This course explores literary and cinematic culture in Italy since 1985. Of special interest are the so-called "cannibals," purveyors (fiction and screenwriters) of "extreme horror." To what extent is the pulp fiction
published in Italy during the last 15 years "Italian" and not part of the transnational market of horror, both cinematic and literary? In other words, in what ways does the genre change, adhere, expand, and adapt in its
Italian manifestation?
MAJOR READINGS
Krismer's IL SIGNORE DELLA CARNE; GIOVENTU CANNIBALE;
Ammaniti's FANGO;
Baldini's BAMBINE;
Covacich's COLPO DI LAMA;
Lucarelli's LUPO MANNARO and ALMOST BLUE;
Pinksett's IL SENSO DELLA FRASE;
the
cinema of Dario Argento, Mario Bava,
and Luigi Freddi
Theoretical readings include:
Seltzer's SERIAL KILLERS;
Tabucchi's LA GASTRITE DI PLANTONE;
Creed's THE MONSTROUS FEMININE;
Clover's MEN, WOMEN, AND CHAIN SAWS
EXAMINATIONS AND ASSIGNMENTS
Several short papers, class presentation, final paper
ADDITIONAL REQUIREMENTS and/or COMMENTS
At the point we begin to examine horror films, students will be required to attend screening outside of scheduled class time.
Unless preregistered students attend the first class meeting or communicate directly with the instructor prior to the first class, they will be dropped from the class list. NOTE: Students must still submit a completed
Drop/Add form to the Registrar's
Office.
COURSE FORMAT:
Seminar
REGISTRATION INFORMATION
Level:
UGRD
Credit:
1
Gen Ed Area Dept:
HA RLAN
Grading Mode:
Graded
Prerequisites:
ITAL221 OR ITAL112
Links to Web Resources For This Course.
Last Updated on MAR-18-2003
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Copyright Wesleyan University, Middletown, Connecticut, 06459