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What exactly defines an "independent" film or filmmaker? How free is an independent from the creative and industrial constraints of mainstream filmmaking? How have notions of independence changed over time? This course addresses these and other questions as it examines different models of American independent feature filmmaking in use from the silent era to the present day. We will explore the various methods of production, distribution, and exhibition utilized by independent filmmakers and their range of reliance on the major studios. In addition, we will consider the aesthetic relationship between independent films and mainstream filmmaking, focusing in particular on how independents have used film form and narrative to differentiate their product. Prior knowledge of the American film industry is recommended for this course.
Unless preregistered students attend the first class meeting or communicate directly with the instructor prior to the first class, they will be dropped from the class list. NOTE: Students must still submit a completed
Drop/Add form to the Registrar's
Office.
The instructor of this course will not be using the on-line wait list. If you are interested in this course, please contact the instructor directly.
COURSE FORMAT: Lecture/Discussion
Level: UGRD Credit: 1 Gen Ed Area Dept: HA FILM Grading Mode: Graded
Prerequisites: FILM304 AND FILM310
Last Updated on MAR-18-2003
Copyright Wesleyan University, Middletown, Connecticut, 06459