We will study four Spanish masterpieces (two novels, two plays) in their own right and as originators of four modern myths. They prompt questions about the function of myth, the definition of modernity, the meaning of individuality, and the vicissitudes of cultural influence, particularly as defined with respect to marginal, outlaw or outcast characters (including those who pass for lunatics, thieves, prostitutes, religious minorities, and unconventional women). Are great characters and literary masterpieces possible in the absence of a pathology or transgression?
Unless preregistered students attend the first class meeting or communicate directly with the instructor prior to the first class, they will be dropped from the class list. NOTE: Students must still submit a completed Drop/Add form to the Registrar's Office.
COURSE FORMAT: Discussion
Level: UGRD Credit: 1 Gen Ed Area Dept: HA RLAN Grading Mode: Student Option
Prerequisites: NONE
Last Updated on MAR-24-2000
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