This seminar explores the notion of site specificity as it has evolved in art practices during the past 30 years. Beginning with Conceptualism's view that an art work's meaning does not reside in the autonomous object but in its contextual framework, we will investigate how site specificity has influenced many subsequent developments, including expanded notions of sculpture, public art, political art, and the notion of site itself. Once defined exclusively in terms of physical location, site-specific work now embraces a wide range of cultural disciplines and popular discourses. The concept will also be explored in relation to Zilkha Gallery projects. The seminar includes supervised field trips to New York galleries, museums, and artists' studios.
Unless preregistered students attend the first class meeting or communicate directly with the instructor prior to the first class, they will be dropped from the class list. NOTE: Students must still submit a completed Drop/Add form to the Registrar's Office.
COURSE FORMAT: Discussion
Level: UGRD Credit: 1 Gen Ed Area Dept: HA ART Grading Mode: Graded
Prerequisites: NONE
Last Updated on MAR-24-2000
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