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GERM253
The New German Cinema
GERM253 SP
Crosslistings: FILM320, GELT253
Not Currently Offered
This course will investigate the aesthetics, politics, and
cultural context of the new German cinema. Having
established a critical vocabulary, we will study the
influence of Brecht's theoretical writings on theater and
film, ambivalent positions vis-a-vis the classic Hollywood
cinema, issues of feminist filmmaking and the thematic
preoccupations peculiar to Germany, for example, left-wing
terrorism and the Nazi past. Attendant materials will
include literary sources, screenplays, and interviews.
MAJOR READINGS
Films by: Fassbinder, Herzog, Alexander
Kluge, Helke Sander, Schloendorff, Margarethe von Trotta,
and Wim Wenders.
Literature:
Rainer Werner Fassbinder, THE ANARCHY OF THE
IMAGINATION, THE MARRIAGE OF MARIA BRAUN (Screenplay)
Brecht, WRITINGS ON ART AND THE THEATER
Secondary Sources: James Monaco, HOW TO READ A FILM
Anton Kaes, FROM HITLER TO HEIMAT
EXAMINATIONS AND ASSIGNMENTS
Four short essays (3-5 pages),
midterm exam.
ADDITIONAL REQUIREMENTS and/or COMMENTS
One screening per
week on Tuesdays. On Thursdays the class will be divided
into two discussion sections. Students with knowledge of
German or background in film or literary studies are
especially welcome. N.B.: the reading load will be heavy.
Course fee: $40.
COURSE FORMAT: Discussion Lecture Film Viewing
REGISTRATION INFORMATION
Level: UG Credit: 1.00
Gen Ed Area & Dept: HA GERM
Prerequisites:
None
Last Updated on MAR-22-1999
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Copyright Wesleyan University, Middletown, Connecticut, 06459