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FREN290
Narrative Techniques 19th- to 20th-Century Fiction
FREN290 SP
Crosslistings: COL 296
Not Currently Offered
The subject of discourse in French fiction has been
constantly challenged and renewed. One of the questions
French critics frequently ask is "who speaks"? To that could
be added "and why"? Even in autobiographical texts, the I
(as well as the eye) is suspect. Are first-person narrators
defending themselves or are they on the defensive? Can
third-person narrators be said to be objective? These
questions will be examined in a variety of texts, chosen
from the 19th century to the present.
MAJOR READINGS
Readings will be selected from the following
texts:
Benjamin Constant: ADOLPHE
Balzac: LA PEAU DE CHAGRIN
Musset: LA CONFESSION D'UN ENFANT DU SIECLE
Proust: COMBRAY
Gide: L'IMMORALISTE
Robbe-Grillet: LE YOVEUR
Nathalie Sarraute: PORTRAIT D'UN INCONNU: L'ERE DU SOUPCON
Camus: LE PREMIER HOMME
EXAMINATIONS AND ASSIGNMENTS
Three 3-5 page papers, and
short in-class writing. Class presentations. Active
participation in class discussions.
ADDITIONAL REQUIREMENTS and/or COMMENTS
Unless
preregistered students attend the first class meeting or
communicate directly with the instructor prior to the first
class, they will be dropped from the class list. NOTE:
Students must still submit a completed Drop/Add form to the
Registrar's Office.
This course is intended for students who have completed a
French course numbered 215 or higher, preferably 223 or
224.
Only COL students may take this course pass/fail, all others
must take it for a letter grade.
COURSE FORMAT: Discussion Lecture
REGISTRATION INFORMATION
Level: UG Credit: 1.00
Gen Ed Area & Dept: HA RLIT
Prerequisites:
None
Last Updated on MAR-22-1999
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Copyright Wesleyan University, Middletown, Connecticut, 06459