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COL 250

Modernity, Gender, and war
COL 250 FA

Crosslistings: WMST251, ENGL309

Not Currently Offered

The Great war inscribed itself on modern memory as a startling demonstration of the far-reaching social, political, and economic changes wrought by the Industrial Revolution. By abruptly accelerating industrial transformations of traditional structures and behaviors, the war contributed substantially to the emergence of a modern consciousness characterized by alienation, search for roots, anomie, and ecstasy. This course proposes that the traditions that the war challenged most visibly and profoundly were those associated with gender: modern technology and bureaucracy, expressing themselves in trench warfare and total-war mobilization, threw into question the traditional models of warrior-hero and homemaker-wife. We examine the complex and continually renegotiated responses to the gender question, from the Great war's aftermath to the present, in literature and commentary, visual art and film.

MAJOR READINGS

Paul Fussell, THE GREAT WAR AND MODERN
MEMORY
Erich Maria Remarque, ALL QUIET ON THE WESTERN FRONT
T. S. Eliot, THE WASTE LAND
Virginia Woolf, MRS. DALLOWAY
Jean Genet, THE BALCONY
Marguerite Duras, THE WAR: A MEMOIR and DESTROY, SHE SAID
Heinrich Boll, BILLIARDS AT HALF-PAST NINE
Christa Wolf, CASSANDRA
Stanley Kubrick, FULL METAL JACKET
Alan Parker, BIRDY

EXAMINATIONS AND ASSIGNMENTS

Thoughtful preparation, dedicated participation in class discussion, two interpretive essays and one creative project.

ADDITIONAL REQUIREMENTS and/or COMMENTS

COURSE FORMAT: Seminar

REGISTRATION INFORMATION

Level: UG Credit: 1.00 Gen Ed Area & Dept: HA COL

Prerequisites: None

Last Updated on MAR-22-1999




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