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ARHA252
Strategies of Abstraction
ARHA252 FA
Not Currently Offered
By exploring works from the
second decade of the twentieth century to the present, this
class will investigate the extent to which every practice of
abstraction is highly contested and historically defined.
Topics will include the autonomy of pictoral elements in
early modernism, the political uses of abstraction, the
historicity of seemingly universal paradigms (such as
geometry), the hegemony of American abstraction and
formalist criticism, and the debated use of abstract
paradigms in the age of visual culture. Special emphasis
will be on the post-World War II period.
MAJOR READINGS
Kandinsky, CONCERNING THE SPIRITUAL ART
Albers, THE INTERACTION OF COLOR
Works by Meyez Schapiro, Clement Greenbert, Anna Chave,
Yve-Alain Bois, Jean-Claude Lebensztejn
EXAMINATIONS AND ASSIGNMENTS
Two short papers, midterm,
final
ADDITIONAL REQUIREMENTS and/or COMMENTS
Unless
preregistered students attend the first class meeting or
communicate directly with the instructor prior to the first
class, they will be dropped from the class list. NOTE:
Students must still submit a completed Drop/Add form to the
Registrar's office.
COURSE FORMAT: Lecture
REGISTRATION INFORMATION
Level: UG Credit: 1.00
Gen Ed Area & Dept: HA ART
Prerequisites:
None
Last Updated on MAR-22-1999
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Copyright Wesleyan University, Middletown, Connecticut, 06459