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ARHA260

History of Prints
ARHA260 FA

SectionClass Size*AvailableTimes
1 30 2 Times: .T.T... 10:00AM-11:20AM;

*The number of spaces listed as available is based on class seats open for the current phase of registration. Some seats may be taken in previous phases while others may be held out for subsequent phases of registration. (Last Updated on Wed Mar 4 05:01:03 EST 1998 )

A survey of developments in printmaking from 1450 to the present, focusing on innovations in woodcut, engraving, etching and lithography as the visual communication of artistic and social thought. Lectures and discussions with slides and original prints in the Davison Art Center collection.

MAJOR READINGS

William Ivins, PRINTS AND VISUAL
COMMUNICATION, Cambridge, Mass., 1985
Saff and Sacilotto, PRINTMAKING, HISTORY AND PROCESS,
New York, 1977

EXAMINATIONS AND ASSIGNMENTS

Midterm and final examinations, two short papers, one term paper.

ADDITIONAL REQUIREMENTS and/or COMMENTS

Preregistered students must attend the first class meeting or be subject to withdrawal from the course. The class is limited to 30 students.

COURSE FORMAT: Discussion Lecture

REGISTRATION INFORMATION

Level: UG Credit: 1.00 Gen Ed Area & Dept: HA ART

Prerequisites: None

Section 01
D'Oench, E
Times: .T.T... 10:00AM-11:20AM;
Grading Mode: A/F
Registration Preference (1 high to 6 low, 0=Excluded) Sr: 1, Jr: 2, So: 2, Fr: 2
Major Preference Given

Last Updated on MAR-03-1998




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