GERM253

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GERM253

The New German Cinema GERM253 SP

Crosslistings: FILM320, GELT253

Spring 97 Availability (Last Updated on Thu Apr 17 05:00:17 EDT 1997 )

Section  Limit  Enrollment  Available
  01       42      0         42

An investigation of the aesthetics, politics, and cultural context of the new German cinema. Having established a critical vocabulary, we will study the influence of Brecht's theoretical writings on theater and film, ambivalent positions vis-a-vis the classic Hollywood cinema, issues of feminist filmmaking and the thematic preoccupations peculiar to Germany, for example, left-wing terrorism and the Nazi past. Attendant materials will include literary sources, screenplays, and interviews.

MAJOR READINGS

Films by: Dorris Doerrie, Fassbinder,
Herzog, Alexander Kluge, Helke Sander, Schloendorff,
Margarethe von Trotta, and Wim Wenders.
Literature: Heinrich Boell, THE LOST HONOR OF KATHARINA
BLUM
Rainer Werner Fassbinder, THE ANARCHY OF THE
IMAGINATION, THE MARRIAGE OF MARIA BRAUN (Screenplay)
Brecht, WRITINGS ON ART AND THE THEATER
Secondary Sources: James Monaco, HOW TO READ A FILM
Thomas Elsaesser, NEW GERMAN CINEMA: A HISTORY
Anton Kaes, FROM HITLER TO HEIMAT

EXAMINATIONS AND ASSIGNMENTS

Two short essays (3-5 pages), midterm exam, optional class report, one research paper (10 pages).

ADDITIONAL REQUIREMENTS and/or COMMENTS

One screening per week on Tuesdays. On Thursdays the class will be divided into two discussion sections. Students with knowledge of German or background in film or literary studies are especially welcome. N.B.: the reading load will be heavy. Course fee: $40.

COURSE FORMAT: Discussion Lecture Film Viewing

REGISTRATION INFORMATION

Level: UG Credit: 1.00 Gen Ed Area & Dept: HA GERM

Prerequisites: None

Section 01: Lensing, L; Times: .T.T... 1:10PM;; Grading Mode: Mixed; Registration Preference (1 high to 6 low, 0=Excluded) Sr: 1, Jr: 2, So: 1, Fr: 1; No Major Preference Given

Last Updated on MAR-10-1997

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