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Academic Year 2005/2006


Dance History
DANC 375 SP

This course follows the remarkable progression of both ballet and modern dance in Europe and America from the late nineteenth century until the present. Beginning with Classical Ballet in Imperial Russia, this somewhat chronological look at the developments in dance will be approached in regard to the socio-political and artistic climate that contributed to its evolvement. Choreographers and movements covered will include the ballets of Marius Petipa, Serge Diaghilev's Les Ballets Russes, Isadora Duncan, Loie Fuller, Denishawn, Austrucktanz, Modernism and the work of Martha Graham, Doris Humphery, and Charles Weidman, anthropologist/dancers Katherine Dunham and Pearl Primus, Merce Cunningham/John Cage, Postmodernism and the Judson Dance Theater, Bill T. Jones, Japanese Butoh, and the German Tanztheater tradition of Kurt Jooss and Pina Bausch. Video and films will be shown weekly in conjunction with assigned readings. Projects include research/analysis of the work of a choreographer.

MAJOR READINGS

Deborah Jowitt, TIME AND THE DANCING IMAGE
Susan Au, BALLET AND MODERN DANCE
Selma Jean Cohen, DANCE AS A THEATER ART

EXAMINATIONS AND ASSIGNMENTS

Research paper, quizzes and final.

ADDITIONAL REQUIREMENTS and/or COMMENTS

Interview with professor.

COURSE FORMAT: Lecture/Discussion

REGISTRATION INFORMATION

Level: UGRD    Credit: 1    Gen Ed Area Dept: HA DANC    Grading Mode: Graded   

Prerequisites: NONE

SECTION 01

Instructor(s): Beaman,Patricia L.   
Times: ..T.R.. 02:40PM-04:10PM;     Location: ZLKA106;
Reserved Seats:    (Total Limit: 15)

Special Attributes:
Curricular Renewal:    Reading Non-Verbal Texts, Focused Inquiry Course
Permission:    Permission of Instructor Required
POI forms will be distributed by the instructor during the browsing period of pre-registration and must be submitted to the Registrar's office prior to the on-line registration appointment
Links to Web Resources For This Course.

Last Updated on MAR-30-2006


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