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Academic Year 2005/2006


The Art, Ritual, and Cosmology of the Ancient Maya
ARHA 293 SP

Crosslistings:
ARCP 293
ANTH 293
LAST 293

This seminar is a general and systematic introduction to the cosmology, religion, and ritual practices of the ancient Maya from approximately 300 BC - AD 900. The course first examines Classic Maya mythology as it is depicted in visual narratives and recorded in hieroglyphic inscriptions, especially those from the sites of Palenque, Quirigua, and Copan. This evidence will be supplemented with a review of colonial and current mythological narratives from both the Maya area and elsewhere in Mesoamerica. With a sound understanding of Maya and Mesoamerican mythology, we will turn to ritual and ritual art, to address such issues as divine embodiment, sacral presence, and the actualization of myth in
ritual. Additionally, we will explore the art historical and cultural factors that guided the formal development of certain genres of ritual art, and how changes in style and modes of representation suggest corresponding changes in ritual practices. A central theoretical goal of this seminar, therefore, is to build a bridge between the disciplines of art history and anthropology so that a more complex understanding is gained of representation's role in ritual and religion. This project requires viewing the Maya's ritual use of art within a wider, cross-cultural context that compares it not only to other Mesoamerican traditions, but also to other pre-industrial societies outside the Americas.

MAJOR READINGS

Hans Belting, LIKENESS AND PRESENCE: A HISTORY OF THE IMAGE BEFORE THE ERA OF ART, Chicago: University of Chicago Press, 1996
David Freidel, Linda Schele and Joy Parker, Maya Cosmos, THREE THOUSAND YEARS ON THE SHAMAN'S PATH, New York: William Morrow and Company, Inc, 1993
Roy A. Rappaport, RITUAL AND RELIGION IN THE MAKING OF HUMANITY, Cambridge: Cambridge University Press, 1999
Denis Tedlock, POPOL VUH: THE DEFINITIVE EDITION OF THE MAYAN BOOK OF THE DAWN OF LIFE AND THE GLORIES OF GODS AND KINGS, New York: A Touchstone Book, 1985
Claude Lévi-Strauss, selections.

EXAMINATIONS AND ASSIGNMENTS

Weekly presentations; regular short written exercises (usually 1-2 pages); term paper (15-20 pages).

COURSE FORMAT: Seminar

REGISTRATION INFORMATION

Level: UGRD    Credit: 1    Gen Ed Area Dept: HA ART    Grading Mode: Graded   

Prerequisites: NONE

SECTION 01

Instructor(s): Carrasco,Michael David   
Times: ..T.... 07:00PM-09:50PM;     Location: DAC300;
Reserved Seats:    (Total Limit: 15)
SR. major: 15   Jr. major: 0
SR. non-major: 0   Jr. non-major: 0   SO: 0   FR: X

Special Attributes:
Curricular Renewal:    Speaking, Writing
Links to Web Resources For This Course.

Last Updated on MAR-30-2006


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