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This course surveys works of European painting and sculpture in the seventeenth and first half of the eighteenth century in Italy, Spain, France, and the Netherlands. We will examine works by Caravaggio, Bernini, Velazquez, Rubens and others and relate them to their social, political, and religious contexts. The course will, in particular, explore the ways in which images of violence--including war, martyrdom, seduction, and rape--both inform and contrast with depictions of religious experience--including conversion, revelation, ecstasy, gnosis, and theophany--often in the same work and between different works by the same artist. Other themes will include the nature and role of Baroque "realism," the parallel tradition of Baroque "classicism," art as princely "propaganda," the relationship between art and literature, questions of gender, portraiture and identity, and the role of the spectator.
COURSE FORMAT: Lecture/Discussion
Level: UGRD Credit: 1 Gen Ed Area Dept: HA ART Grading Mode: Graded
Prerequisites: NONE Links to Web Resources For This Course.
Last Updated on MAR-30-2006
Copyright Wesleyan University, Middletown, Connecticut, 06459