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Academic Year 2004/2005
Harmony and Tonal Counterpoint I
MUSC 201 FA
This course is designed to give a thorough grounding in the basic compositional techniques of tonal harmony, part-writing (counterpoint), and formal structures of the "common practice" era in Western art music. LECTURES
will introduce concepts on a theoretical level and provide guidance of ways in which they can be meaningfully applied to actual music. EAR-TRAINING SECTIONS, led by a TA, will focus on the development of aural and
keyboard
skills. Students are required to attend one hour-long ear-training session per week on Friday between 11:00am and 1:00pm.
MAJOR READINGS
Kostka and Payne, TONAL HARMONY, fifth edition. Book & CD set.
Kostka and Payne, WORKBOOK FOR TONAL HARMONY, fifth edition.
Ottman, MUSIC FOR SIGHTSINGING, sixth edition. Kostka and Graybill, ANTHOLOGY OF MUSIC
FOR ANALYSIS.
EXAMINATIONS AND ASSIGNMENTS
Periodic tests, weekly exercises, midterm, and final.
ADDITIONAL REQUIREMENTS and/or COMMENTS
Ability to read music (in all clefs) is essential. Students will be expected to know the major and minor scales and the signatures (circle of fifths); all major and minor intervals and triads. They should have some
familiarity with part-writing rules and
musical form.
COURSE FORMAT:
Lecture
REGISTRATION INFORMATION
Level:
UGRD
Credit:
1
Gen Ed Area Dept:
HA MUSC
Grading Mode:
Graded
Prerequisites:
MUSC103 AND MUSC104
SECTION 01
- Instructor(s): Malin,Yonatan
- Times: ..T.R.. 10:30AM-11:50AM; Location: MST301;
- Reserved Seats: (Total Limit: 30)
Special Attributes:
- Permission: Permission of Instructor Required
Links to Web Resources For This Course.
Last Updated on MAR-21-2005
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Copyright Wesleyan University, Middletown, Connecticut, 06459