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Academic Year 2004/2005


Narrative Strategies 19th- to 20th-Century French Fiction
FREN 396 FA

Crosslistings:
COL 296

The subject of discourse in French fiction has been constantly challenged and renewed. One of the questions French critics frequently ask is, who speaks? To that could be added, and to what end? Even in autobiographical texts, the I (as well as the eye) is suspect. Are first-person narrators defending themselves or are they on the defensive? Can third-person narrators be said to be objective? These questions will be examined in a variety of literary and critical texts, chosen from the 19th century to the present.

MAJOR READINGS

Readings will be selected from the following texts:
Flaubert: TROIS CONTES
Victor Hugo: LE DERNIER JOUR D'UN CONDAMNE A MORT
Balzac: LE COLONEL CHABERT or LA PEAU DE CHAGRIN
Proust: COMBRAY
Gide: L'IMMORALISTE
Nathalie Sarraute: LE PLANETARIUM
Yasmina Reza: UNE DESOLATION
Annie Ernaux: L'OCCUPATION

EXAMINATIONS AND ASSIGNMENTS

Five 2-page papers, and brief in-class writing. Class presentations. Active participation in class discussions.

ADDITIONAL REQUIREMENTS and/or COMMENTS

This is an upper level course intended for students who have completed two French courses numbered between 220 and 299, or have studied abroad in a French-speaking country for at least a semester. Only COL students may take this course CR/U; all others must take it for a letter grade.

COURSE FORMAT: Seminar

REGISTRATION INFORMATION

Level: UGRD    Credit: 1    Gen Ed Area Dept: HA RLAN    Grading Mode: Graded   

Prerequisites: FREN215 OR FREN223 Links to Web Resources For This Course.

Last Updated on MAR-21-2005


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