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Academic Year 2004/2005
Singers of Tales: Poetry and Orality in Medieval England
ENGL 331 FA
Although it is commonly supposed that oral poetic production was supplanted by written forms, the evidence surrounding early English poetry suggests a simultaneity of writing and orality, either in the form of committing
orally composed poetry to writing or in publicly performing poetry composed by writing. This course will consider the relationships between orality, literacy, and performance in early English literature. We will
consider
a variety of genres, from epic to romance to lyric and song, focusing on theories of composition, modes and occasions of performance, as well as performers and audiences. In the process we will survey medieval European
literature
from its earliest extant forms through Chaucer's CANTERBURY TALES.
MAJOR READINGS
Homer, THE ODYSSEY
BEOWULF and other Anglo-Saxon Poetry in translation
THE SONG OF ROLAND
TROUBADOUR LYRICS
CANTIGAS DE SANTA MARIA
SIR ORFEO
SIR GAWAIN AND THE GREEN KNIGHT
Chaucer, CANTERBURY
TALES, selections
Secondary
material relating to oral-formulaic theory and performance practices of medieval poetry.
EXAMINATIONS AND ASSIGNMENTS
Several short papers, midterm and final exams.
ADDITIONAL REQUIREMENTS and/or COMMENTS
This course satisfies the Dept's pre-1800 requirement and can be taken with the Research Option.
COURSE FORMAT:
Lecture/Discussion
REGISTRATION INFORMATION
Level:
UGRD
Credit:
1
Gen Ed Area Dept:
HA ENGL
Grading Mode:
Graded
Prerequisites:
NONE
SECTION 01
- Instructor(s): Zieman,Katherine G.
- Times: ..T.R.. 02:40PM-04:00PM; Location: FISK302;
- Reserved Seats: (Total Limit: 30)
- SR. major: 8 Jr. major: 7
- SR. non-major: 4 Jr. non-major: 3 SO: 3 FR: 5
Special Attributes:
- Curricular Renewal: Writing
Links to Web Resources For This Course.
Last Updated on MAR-21-2005
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Copyright Wesleyan University, Middletown, Connecticut, 06459