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Academic Year 2003/2004
Reading Ethnomusicology
MUSC 506 FA
As one of the two core introductory courses to ethnomusicology, this course lays a general intellectual groundwork for MA students with a concentration in ethnomusicology through in-depth reading of some of the most
important
writings in ethnomusicology. Focusing on both intellectual history and current issues, the course evolves around the key concepts and themes that have defined, expended, or challenged the field. Students will
critically
and comparatively discuss the approaches and contributions of each work they study. At another level, this course also aims at broadening students' knowledge of world musics through studying a wide range of music
ethnographies.
MAJOR READINGS
John Baily, Judith Becker, Gerard Behague, Paul Berliner, John Blacking, John Chernoff, Veit Erlmann, Steven Feld, Jocelyne Guilbault, Mantle Hood, Ellen Koskoff, Peter Manuel, Alan Merriam, Bruno Nettle, Regula Qureshi,
Adelaida Reyes, Timothy Rice,
Anthony Seeger, Kay Shelemay, Mark Slobin, Jane Sugarman, Sumarsam, Thomas Turino, Judith Vander, Christopher Waterman, Hugo Zemp, among others.
EXAMINATIONS AND ASSIGNMENTS
Short reports, a book review, and a final paper.
ADDITIONAL REQUIREMENTS and/or COMMENTS
Open only to graduate students. A required core course for MA students in ethnomusicology.
COURSE FORMAT:
Discussion
REGISTRATION INFORMATION
Level:
GRAD
Credit:
1
Gen Ed Area Dept:
HA MUSC
Grading Mode:
Graded
Prerequisites:
NONE
Links to Web Resources For This Course.
Last Updated on MAR-19-2004
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Copyright Wesleyan University, Middletown, Connecticut, 06459