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Academic Year 2003/2004
Introduction to Experimental Music
MUSC 109 FA
This course is a survey of recent electronic and instrumental works, with emphasis on the works of American composers. Starting with early experimentalists John Cage and Henry Cowell, germinal works of Earl Brown,
Christian
Wolff and Morton Feldman will be studied, followed by more recent electronic and minimal works of La Monte Young, Terry Riley, David Behrman, Gordon Mumma, Robert Ashley, Steve Reich, Philip Glass and Meredith Monk,
finishing
with younger crossover composers, including Laurie Anderson, Glenn Branca, John Zorn and others. The course includes lectures, demonstrations and performances, occasionally by guest lecturers.
MAJOR READINGS
EXPERIMENTAL MUSIC: CAGE AND BEYOND, Michael Nyman, Schirmer Books
SILENCE, John Cage, Wesleyan Press
SOFTWARE FOR PEOPLE, Pauline Oliveros
EXAMINATIONS AND ASSIGNMENTS
Five quizzes on specific topics and composers. One research paper. One final exam. Periodic listening tests.
COURSE FORMAT:
Lecture
REGISTRATION INFORMATION
Level:
UGRD
Credit:
1
Gen Ed Area Dept:
HA MUSC
Grading Mode:
Graded
Prerequisites:
NONE
SECTION 01
- Instructor(s): Lucier,Alvin
- Times: ..T.R.. 10:30AM-12:00PM; Location: RHH003
- Reserved Seats: (Total Limit: 100)
- SR. major: 10 Jr. major: 10
- SR. non-major: 0 Jr. non-major: 10 SO: 30 FR: 40
Special Attributes:
Links to Web Resources For This Course.
Last Updated on MAR-19-2004
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Copyright Wesleyan University, Middletown, Connecticut, 06459