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Academic Year 2003/2004
Class, Entertainment, and Architecture in the Modern Metropolis, 1790-1940
ARHA 344 FA
The course will examine relationships between the identities of different social classes and the architecture of different urban theaters, and related public spaces, in western European and American cities, from the
period
just prior to the French Revolution through the 1930s. Focusing mainly on Paris, London, New York City, and Chicago, the course will trace the parallel development of different traditions of public amusement that
responded
to and reinforced elite, middle-class, and working-class identities. These traditions will be studied in terms of the buildings and urban places that accommodated and shaped both high and popular musical and theatrical
culture
in these different cities.
MAJOR READINGS
Jane Fulcher, THE NATION'S IMAGE: FRENCH GRAND OPERA AS POLITICS AND POLITICIZED ART (1987);
Christopher Mead, CHARLES GARNIER'S PARIS OPERA: ARCHITECTURAL EMPATHY AND THE RENAISSANCE OF FRENCH CLASSICISM
(1991);
Dagmar Kift, THE VICTORIAN MUSIC
HALL: CULTURE, CLASS AND CONFLICT (1996);
Bruce A. McConachie and Daniel Friedman, eds., THEATRE FOR WORKING-CLASS AUDIENCES IN THE UNITED STATES 1830-1980 (1985);
Robert A.M. Stern, et al., NEW YORK 1930:
ARCHITECTURE AND URBANISM BETWEEN THE TWO
WORLD WARS (1987).
EXAMINATIONS AND ASSIGNMENTS
One midterm essay examination, oral presentations on research, final research paper.
ADDITIONAL REQUIREMENTS and/or COMMENTS
Preference for enrollment given to senior and junior majors in Art History or Studio Art.
COURSE FORMAT:
Seminar
REGISTRATION INFORMATION
Level:
UGRD
Credit:
1
Gen Ed Area Dept:
HA ART
Grading Mode:
Graded
Prerequisites:
NONE
Links to Web Resources For This Course.
Last Updated on MAR-19-2004
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