|
Underlying this course is an argument that the history of 19th century French painting is the seedbed of modernism. In developing this argument, we will look synoptically at painting in France between 1789 and 1906. You will be introduced to the main painters and movements, and get an overall sense of French painting's historical trajectory over 120 years. Some lectures will be broad discussions of large topics, such as Modernism, Nature, or Classicism. Other lectures will focus on a single picture or group of pictures in depth: David's Sabine Women, for instance, or Degas's images of prostitution. Other lectures will focus on a single artist's career and still others on an historic period. The following topics will receive special emphasis: the changing notions of history and the vicissitudes of history painting, the rise of landscape painting and contemporary subjects, the perpetuation of Classicism, painting's imbrication in a colonial discourse, the relationship of art to revolution, the rise and fall of a public sphere for art-making, the construction of a French tradition of painting, France's indebtedness to international artistic and cultural traditions, the shift from the male to the female nude, the role of women painters and the gendering of representation.
COURSE FORMAT: Lecture
Level: UGRD Credit: 1 Gen Ed Area Dept: HA ART Grading Mode: Graded
Prerequisites: NONE
Last Updated on MAR-19-2004
Copyright Wesleyan University, Middletown, Connecticut, 06459