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It is a well-known fact that the recuperation of classical models was fundamental for the early modern cultural movements that we identify by the terms "Humanism" and "Renaissance". Students today are perhaps less aware
that politics rivaled aesthetics
as a central concern of this age. Conspiracies, war, and other forms of violence--their causes, manifestations, and consequences--are as crucial as any reflection on notions of the classical for understanding the
culture and cultural phenomena of Italy
during the 15th-16th centuries.
In this course we will focus on the conversation that emerges along these lines, between aesthetics and politics, in the literature and visual arts of the period. We will give
special attention to the relationship
between covert and overt modes of communication by analyzing how SECRET language unfolds in opposition to the obvious public forms of address. Our inquiry will involve a wide variety of genres and styles: private
epistles and public orations; dialogues,
diaries, dramas; epic and lyric poems; treatises and novellas, coded diplomatic letters, historiographic and autobiographic recollections. We will study as well pertinent works of art by the prominent painters,
sculptors, and architects of Renaissance
Italy.
Unless preregistered students attend the first class meeting or communicate directly with the instructor prior to the first class, they will be dropped from the class list. NOTE: Students must still submit a completed Drop/Add form to the Registrar's Office.
COURSE FORMAT: Lecture/Discussion
Level: UGRD Credit: 1 Gen Ed Area Dept: HA RLAN Grading Mode: Graded
Prerequisites: NONE
Last Updated on MAR-19-2002
Copyright Wesleyan University, Middletown, Connecticut, 06459