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Academic Year 2001/2002
Melodrama and the Woman's Picture
FILM 347 SP
Within film criticism, the usage of the term "melodrama" has changed over time, as has the presumed audience for the genre. This course will investigate the various ways in which Hollywood melodrama and its audience
have been understood, beginning in
the silent period, ranging through woman's picture of the thirties and forties to domestic melodramas of the fifties, and culminating in contemporary cinema. We will pay particular attention to the problems of narrative
construction and visual style as
they relate to different definitions of melodrama.
MAJOR READINGS
Christine Gledhill, HOME IS WHERE THE HEART IS
Lucy Fischer, IMITATION OF LIFE
Reading packet
EXAMINATIONS AND ASSIGNMENTS
Two papers, one presentation.
ADDITIONAL REQUIREMENTS and/or COMMENTS
$45.00 Course fee. Course is only open to junior and senior Film majors.
The instructor of this course will not be using the on-line wait list. If you are interested in this course, please contact the instructor directly.
COURSE FORMAT:
Lecture/Discussion
REGISTRATION INFORMATION
Level:
UGRD
Credit:
1
Gen Ed Area Dept:
NONE
Grading Mode:
Graded
Prerequisites:
FILM304 OR FILM310
SECTION 01
- Instructor(s): Dombrowski,Lisa A.
- Times: ..T.R.. 07:00PM-09:50PM; Location: AWKS010
- Reserved Seats: (Total Limit: 35)
- SR. major: Jr. major:
- SR. non-major: Jr. non-major: SO: FR:
Special Attributes:
- Curricular Renewal: Reading Non-Verbal Texts, Writing
- Permission: Permission of Instructor Required
Links to Web Resources For This Course.
Last Updated on MAR-19-2002
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Copyright Wesleyan University, Middletown, Connecticut, 06459