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Academic Year 2001/2002
European and Russian Avant-Garde
COL 319 FA
This interdisciplinary study of Russian modernism and avant-garde in the European context before and after the 1917 Revolution will examine the radical utopian experiment in literature, visual arts and film. Readings
will include contemporary critical
and theoretical writing on the arts. The course will explore the tensions between the artist and the revolution, and the clash of modernism and modernity in the early Stalinist period.
MAJOR READINGS
Bely, Andrey, PETERSBURG
Poetry: Akhmatova, Blok, Bely, Mandelshtam, Mayakovsky.
Film: S. Eisenstein POTEMKIN and OCTOBER; Dziga Vertov, KINO-EYE
Benjamin, Walter, "The Author as Producer"; "Art in the Age of
Mechanical Reproduction."
ILLUMINATIONS.
Breton, Andre. MANIFESTOES OF SURREALISM.
Boym, Svetlana. DEATH IN QUOTATION MARKS. CULTURAL MYTHS OF THE MODERN POET.
Burger, Peter. THEORY OF THE AVANT-GARDE.
Foster, Hal, ed. THE
ANTI-AESTHETIC: ESSAYS IN POSTMODERN CULTU
RE.
Groys, Boris. THE TOTAL ART OF STALINISM: AVANT-GARDE, AESTHETIC DICTATORSHIP, AND BEYOND.
Mayakovsky, Vladimir. THE BEDBUG AND OTHER POETRY.
Orwell, G. 1984
Zamytin, E. WE
EXAMINATIONS AND ASSIGNMENTS
Two papers (8-10pp); oral presentation.
Unless preregistered students attend the first class meeting or communicate directly with the instructor prior to the first class, they will be dropped from the class list. NOTE: Students must still submit a completed
Drop/Add form to the Registrar's
Office.
COURSE FORMAT:
Seminar
REGISTRATION INFORMATION
Level:
UGRD
Credit:
1
Gen Ed Area Dept:
HA COL
Grading Mode:
Student Option
Prerequisites:
NONE
Links to Web Resources For This Course.
Last Updated on MAR-19-2002
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