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The concept of a "re-birth" of the past is a common metaphor in many societies self-conceptions, but has become a wearisome paradigm in historical and art historical analyses of Italy in the fifteenth and sixteenth centuries. This course will open new avenues of discussion by examining the ways in which classical antiquity was mined in the visual arts and in other cultural spheres by individuals and by diverse social groups. How were various pasts used to reshape and redefine various presents, through techniques such as restoration, spoliation, collecting, archaeology, and poetic fantasy? The course will focus particularly on Rome, but also Pisa, Florence, and Venice, and will examine works such as the architecture of Bramante, the painting of Raphael, and the sculpture of Michelangelo. Emphasis will be placed on writing about the visual arts.
Unless preregistered students attend the first class meeting or communicate directly with the instructor prior to the first class, they will be dropped from the class list. NOTE: Students must still submit a completed Drop/Add form to the Registrar's Office.
COURSE FORMAT: Seminar
Level: UGRD Credit: 1 Gen Ed Area Dept: HA ART Grading Mode: Graded
Prerequisites: NONE
Last Updated on MAR-19-2002
Copyright Wesleyan University, Middletown, Connecticut, 06459