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Academic Year 2000/2001
Fundamentals of Jazz Improvisation I
MUSC 386 FA
This course concentrates on the vocabulary of improvisation in the African American classical tradition. Rhythmic, melodic, and harmonic knowledge will be approached through the study of scales, chords, modes, ear
training and transcription. Theoretical
information will be applied to instruments in a workshop setting. Audition and permission of instructor are required at the first class. Intensive practice and listening are required. This course may not be repeated
for credit.
MAJOR READINGS
Two Texts by David Baker, JAZZ IMPROVISATION and EAR TRAINING FOR JAZZ MUSICIANS as well as other texts such as POP AND JAZZ HARMONY and CONTEMPORARY SONG WRITING by D. Ricigliano.
EXAMINATIONS AND ASSIGNMENTS
Bi-weekly drills and two large composition and/or score analysis projects.
ADDITIONAL REQUIREMENTS and/or COMMENTS
INTERESTED STUDENTS SHOULD ATTEND THE FIRST CLASS, WITH A DROP/ADD SLIP. Students should have familiarity with basic music vocabulary and analysis as per Music 101. The course is geared toward committed jazz students.
Permission of instructor is based
on assessment of skills and commitment.
Unless preregistered students attend the first class meeting or communicate directly with the instructor prior to the first class, they will be dropped from the class list. NOTE: Students must still submit a completed
Drop/Add form to the Registrar's
Office.
COURSE FORMAT:
Performance
REGISTRATION INFORMATION
Level:
UGRD
Credit:
1
Gen Ed Area Dept:
HA MUSC
Grading Mode:
Graded
Prerequisites:
MUSC103
SECTION 01
- Instructor(s): Hoggard Jr,J. Clinton
- Times: ..T.T.. 10:00AM-11:20AM; Location: RHH1
- Reserved Seats: (Total Limit: 15)
- SR. major: Jr. major:
- SR. non-major: Jr. non-major: SO: FR:
Special Attributes:
- Permission: Permission of Instructor Required
Links to Web Resources For This Course.
Last Updated on MAR-26-2001
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Copyright Wesleyan University, Middletown, Connecticut, 06459