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Crosslistings: CHUM 313 |
In modern culture, "performing a role" is the opposite of "being oneself," yet that very opposition suggests that performance paradoxically defines the self by exploring the boundaries between what we understand as "authentic experience" and what we "merely perform." In this course we will examine how the idea of performance functions within cultures to enable particular conceptions of the self and its relation to the social. We will begin by looking at premodern modes of performance, such as litur gy, oath-taking, and royal ceremonies. Such perfomances are meant to effect change in the performers as well as the audience by transferring power to a king or forming an alliance; they will thus allow us to consider the conceptions of self that ritual m akes available. We will then follow the fortunes of these ritual institutions during the transition to modernity to see how drama evolves from liturgical ritual not merely as a literary genre, but as a cultural institution that represents and mediates changing understandings of the individual. Finally, we will compare these ideas of performance to contemporary examples of postmodern drama and performance art to theorize how these practices function in our culture.
Unless preregistered students attend the first class meeting or communicate directly with the instructor prior to the first class, they will be dropped from the class list. NOTE: Students must still submit a completed Drop/Add form to the Registrar's Office.
COURSE FORMAT: Seminar
Level: UGRD Credit: 1 Gen Ed Area Dept: HA ENGL Grading Mode: Graded
Prerequisites: NONE
Last Updated on MAR-26-2001
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