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Academic Year 2000/2001


Stereotyped Japan: A Critical Investigation of Geisha Girls and Samurai Spirit
ALIT 220 SP

Crosslistings:
EAST 216
WMST 216

This class will explore critically discourses about cultural stereotypes of Japan. Specifically, we will focus on two of the best-known examples, the geisha and the samurai. Our goals will be: (1) to focus on specific historical contexts, that suggest how and why these categories were formed, and (2) to understand how volatile and motivated these seemingly unchanging and timeless stereotypes actually are. We will locate both Japan and the United States as places that generate a hyper-feminine (geisha) and a hyper-masculine (samurai) view of Japan; we will look at the reasons why such stereotypes developed in each country, and the consequences of such views. For each of the two topics, we will examine representations in literature, visual and performing arts, and film. We will begin in premodern Japan, by studying texts to which these terms can be traced. Moving chronologically, we will undo the loaded image/myth of the "courtesan" and the "warrior" through examples including didactic Buddhi st tales, "erotic" woodblock prints, traditional theater, and "popular" fiction about homosexuality among the samurai. We will then proceed to modern Japan and will investigate the ways in which the categories of geisha and samurai came to be appropriate d and utilized for various purposes, such as how militant nationalism contributed to the popularization of a particular view of the warrior in early 20th-century films, and how the portrayal of a pacified and "feminine" Japan in the Nobel Prize-winning au thor's novel SNOW COUNTRY functioned in the eyes of the international community soon after World War II. Finally, we will address Euro-American representations of the geisha and the samurai in recent times and discuss implications of the representations, including their effects upon Asian-Americans in general. Throughout this course, selections from recent works of literary and cultural theories (such as Orientalism, gender, and race/ethnicity) will be assigned each week.

MAJOR READINGS

Sukeroku, Flower of Edo (a kabuki play)
Kawabata Yasunari, SNOW COUNTRY
Pierre Loti, JAPAN (MADAME CHRYSANTHEME)
Liza Dalby, GEISHA
TAKE OF HEIKE
Ihara Saikaku, THE GREAT MIRROR OF MALE LOVE
Akira Kurosawa, dir., The Seven Samurai

EXAMINATIONS AND ASSIGNMENTS

Three short papers (3-5 pages each), final paper

ADDITIONAL REQUIREMENTS and/or COMMENTS

Grade breakdown: class participation 25%, short papers 15% each (45% total) , final paper 30%

COURSE FORMAT: Seminar

REGISTRATION INFORMATION

Level: UGRD    Credit: 1    Gen Ed Area Dept: HA AL&L    Grading Mode: Graded   

Prerequisites: NONE Links to Web Resources For This Course.

Last Updated on MAR-26-2001


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